Available for hire - the Blackmagic URSA Mini PRO EF mount digital cinema Interview / Documentary shooting kit.
This camera is supplied with a V-lock battery plate on the back plus a 2 x PAG 150w V-link V-lock battery and V-link charger kit. Canon CN-E 18-80 Cine Servo zoom lens (parfocal), Blackmagic OLED Viewfinder, Blackmagic shoulder mount kit, Sennheiser ch38 Radio mic, Blackmagic SSD recorder with 1TB SSD, Sony or Rode shotgun mic with furry, Sennheiser headphones and 256GB of CFast 2.0 card/s with card reader, front grip handles from Ronford Baker as well as the original Blackmagic front grip with LANC control all delivered in a custom wheeled peli-style hard case.
You can easily add more Radio Mics, extra Shotgun mics, a Matt Box and 4x4 filters like the SE filters, decent weight tripod like the Sachtler video 18 III, more Vlock batteries, another SSD drive or more CFAST cards to your cart to customise this kit.
The compact URSA Mini Pro camera with EF lens mount features the same 4.6K Super 35 sensor and an incredible 15 stops of dynamic range as the URSA Mini 4.6K, but with added built-in ND filters, SD card recording, more external controls and a new status display screen. The mini URSA Pro is light enough to fit on a gimbal too like the DJI Ronin or Ronin-M. URSA Mini Pro 4.6K EF features professional 12G-SDI connections, 4” fold out touchscreen monitor and side grip with camera control functions as well as dual CFast card recorders, dual SD card recorders, built in stereo microphones and more
Bundled with the Canon CN-E 18-80mm T4.4 Cine-Servo Zoom lens, Blackmagic OLED viewfinder, the Shoulder mount kit, VCT plate, this becomes the ideal camera for both shoulder mounted and tripod mounts shots - with a quick changeover between the two. Add on a couple of fast primes and a couple of radio mics and away you go. If your shooting only 1080 then you can switch into windowed sensor mode and extend the lens range x2.
The Canon CN-E lens now supports Auto focus & Auto exposure control on the mini Ursa, and the image stabiliser works in all modes and the lens is par-focal as expected. The zoom controller is pressure sensitive so you can do fast zooom or slow by adjusting how hard you press down or you can switch the servo off and use the manual zoom ring on the lens. Manual focus has no hard stops but you are not likely to use a follow focus with this lens setup. This lens has a manual Iris ring.
Sensor Size : 25.34mm x 14.25mm (Super35)
Shooting Resolutions :
- 4608 x 2592
- 4096 x 2304 (4K 16:9)
- 4608 x 1920 (4K 2.4:1)
- 3840 x 2160 (Ultra HD)
- 3072 x 2560 (3K Anamorphic)
- 2048 x 1152 (2K 16:9)
- 1920 x 1080
Frame Rates: Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported.
Off-speed frame rates up to 60p in 4.6K, 120p in 2K windowed.
Dynamic Range : 15 stops
Shutter Type : Rolling shutter
Built in ND Filters : Four position ND filter wheel with clear, 2-stop, 4-stop and 6-stop ND filters.
Focus : Focus button turns on peaking, auto focus available using compatible lenses.
Iris Control : ris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video mode.
Lens Mount : EF Mount
Screen Dimensions : 4” - 1920 x 1080
Screen Type : LCD capacitive touchscreen
Controls : Touchscreen menus on 4 inch screen. Push buttons for other controls. 2 assignable shortcut keys.
Microphone : 2 x built in cardioid microphones for stereo recording with -10dB pad and low cut filter.
Speaker : 1 x mono speaker, enabled in playback mode when headphones are not used.
Mounting Options : Integrated rod mounts compatible with 15mm Support standard
Storage Type : 2 x CFast for 4.6K RAW and ProRes recording. 2 x SD UHS-II card slots for HD and Ultra HD recording
Recording Formats: Lossless CinemaDNG RAW, RAW 3:1 and RAW 4:1 with film dynamic range at 4608 x 2592, 4096 x 2304, 4608 x 1920, 3072 x 2560, and 2048 x 1152. Apple ProRes 3840 x 2160 and 1920 x 1080 with either film or video dynamic range.
Connections : SDI Video Output - 1 x 12G-SDI BNC 10-bit 4:2:2
SDI Video Input : 1 x 12G-SDI BNC 10-bit 4:2:2
Ref/ Timecode Input : 1 x BNC reference or timecode input with automatic detection
Analog Audio Input : 2 x XLR analog switchable between mic and line levels. Phantom power support.
SDI Audio Output : 2 channel
Headphones : 3.5mm stereo headphone jack
Remote Control : 2 x 2.5mm LANC input for Rec Start/Stop, plus Iris and Focus control